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DIABOLO INTRUDUCTION (CN & EN VeR)

DIABOLO / CHINESE YOYO

October 24, 2015

Introduction

The diabolo (/diːˈæbəloʊ/ dee-ab-ə-loh) commonly misspelled diablo) is a juggling prop consisting of an axle and two cups or discs. This object is spun using a string attached to two hand sticks. A huge variety of tricks are possible with the diabolo, including tosses, and various types of interaction with the sticks, string, and various parts of the users body. Multiple diabolos can be spun on a single string.

 

History and etymology

1812 illustration of woman with diabolo

Diabolos evolved from the Chinese yo-yo, which was originally standardized in the 12th century.[citation needed] Chinese yo-yos have a longer axle with discs on either end, while the diabolo has a very short axle and larger, round cups on either end. Diabolos are made of different materials and come in different sizes and weights.

 

The term "diabolo" was not taken from the Italian word for "devil"—"diavolo"—but was coined by French engineer Gustave Phillippart, who developed the modern diabolo in the early twentieth century,and derived the name from the Greek dia bolo, roughly meaning "across throw".

The Greek word "diabolos" means "the liar" or "the one that commits perjury", from the verb "diaballo", which means "to throw in", "to generate confusion", "to divide", or "to make someone fall". Later the word "diabolos" was used by Christian writers as "the liar that speaks against God". From this meaning come many modern languages' words for "devil" (French: diable, Italian: diavolo, Spanish: diablo, Portuguese: diabo, German: Teufel, Polish: diabeł).

 

Confusion about the provenance of the name may have arisen from the earlier name "the devil on two sticks", although nowadays this often also refers to another circus-based skill toy, the devil stick.

 

Design

The design of the diabolo has varied through history and across the world. Chinese diabolos have been made of bamboo. Wooden diabolos were common in Victorian times in Britain. Rubber diabolos were first patented by Gustave Phillippart in 1905. In the late twentieth century a rubberised plastic material was first used. Metal has also been used especially for fire diabolos.

 

The size and weight of diabolos varies. Diabolos with more weight tend to retain their momentum for longer, whereas small, light diabolos can be thrown higher and are easier to accelerate to high speeds. Rubber diabolos are less prone to breakage but are more prone to deformations. More commonly used are plastic-rubber hybrids that allow flex but hold their shape. Diabolos with only one cup ("monobolos") are also used.

 

Performances

Cirque du Soleil combines diabolos with acrobatics during feature acts in five shows: Quidam, La Nouba, Dralion, Ovo and Viva Elvis.

In 2012 the Viva Elvis Casino show in Las Vegas, added a Diabolo Duet act, which includes Trevor Nassler & Maria Wolf.

In 2006 Circus Smirkus presented a duo diabolo act starring Jacob and Nate Sharpe, with advanced tricks including the first double sprinkler pass in a performance as well as some five-diabolo passing.

diabolo juggling

The diabolo programs of many Chinese schools provide performances during the Chinese New Year or near the end of the school year.

 

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扯铃 / 空竹

October 24, 2015

 扯铃 / 空竹(中国传统民间游戏)

空竹,古称胡 敲、空钟、空筝,俗称嗡子、响铃、转铃、老牛、闷 葫芦、风葫芦、响 葫芦、天雷公公等,属于汉族民间传 统玩 具。典型的 空 竹有单 轮和 双轮之分,双轮的空竹形 如腰 鼓,以竹或 木制成,两头为两只扁平状的圆 轮,轮内空心,轮上挖有四五个小孔,孔内放置竹笛,两 轮间有轴 相 连;单 轮的空竹则形如 陀 螺,一侧有轮。因其轮内空心而有竹笛,故名“空竹”。

空竹游戏一般称为抖空竹,也叫抖空钟、抖空筝、抖嗡子,江南又称之为扯铃。不过,一般大都简称为 “空竹”。是中国 汉族传统文化苑中一株灿烂的花朵。流行于全国各地,天津、北京及辽宁、吉林、黑龙江等地尤为盛 行。

 

起源

空竹在中国有着悠久的历史。据考证,空竹最早是由汉族民间游戏用具“陀螺”演变而来的。陀螺是远古时代就出现的玩具,在新石器时代的河姆渡文化遗址和常州圩墩遗址中,就出土了木陀螺,而山西夏县西阴村遗址中出土了陶陀螺。后来,为延长陀螺的旋转时间,人们改用鞭子抽击这些木制或陶制陀螺;再后来,改用竹制陀螺,并在上面开口利用空气冲击发出哨声,即“鸣声陀螺”,后来“鸣声陀螺”渐渐有了“空竹”的别称。

但是,由于历史文献中有关空竹的资料贫乏,其起源之说还存有很大争议:一说三国时期曹植就曾作过一首《空竹赋》,如果这算是有关空竹最早的记录,那它的历史至少有1700年了,但我们对曹植《空竹赋》的内容已经无法考证;一说宋代百戏杂技项目中的“弄斗”为抖空竹的前身;而台湾学者吴盛达则指出空竹出现在元朝末年;一般认为空竹源于明代的“空钟”。

 

发展

到了清代,抖空竹的方式逐渐成熟。清人李虹若在《朝市丛载》中说:“抖空竹。每逢庙集,以绳抖响,抛起数丈之高,仍以绳承接,演习各样身段。”还说:“狗熊傀儡互喧闹,汗粉淋漓跑旱船,抖起空竹入云表,千人仰面站沟沿。”。此外,抖空竹也成了摊贩商人招揽生意的手段。孙殿起《琉璃厂小志》中说:“空竹亦名空钟,能抖出种种花样,摆摊人均擅此技,借此以广招徕。”抖空竹也得到宫中女子的欢迎。清无名氏有一首《玩空竹》的诗也写道:“上元值宴玉熙宫,歌舞朝朝乐事同。妃子自矜身手好,亲来阶下抖空中。”原注云:“空中,玩器之一。近舞于京师,新年,王孙、贵姬擅长者皆为之。宫中妃嫔亦多好焉。舞式有‘鹞子翻身、飞燕入云、响鸽铃等’”。

从以上记述得知,清朝是抖空竹发展的一个鼎盛时期。不仅戏器材简单,易于学习,而且动作花样繁多,技法多样,引人入胜,受人欢迎。同时,参与抖空竹的人群不断扩大,从儿童扩大到了王宫贵族、商人及普通民众。因此,抖空竹至清代已广为流传,并一直持续到今天.

 

到了至今扯铃的名声已传去多个国家以内发扬光大。已经了解扯铃吗?知道扯铃的由来,可以开始玩扯铃咯!

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